Nudibranchs, aka Sea Slugs
Nudibranchs are great subjects because they usually stay fairly still, and they can be very colorful. Always get the rhinophores in focus. The rhinophores resemble two "antennae" that stick up from the front of their head.
Shoot low, from the front or the side, not from above. For dorids, it is important to wait until the gills come out. Try to get the food source in the photo. Pay careful attention to the background so the nudibranch looks separated from the rest of the photo. Play with the lighting. Gills out, gills & rhinophores in focus is usually considered a great shot, but it can be difficult to get both into the depth of field, and other compositions work well also.
In this shot of 2 Cerastoma nudibranchs, I was able to get all 4 rhinophores in focus. F18, 60mm lens. With a compact camera, shoot at F18 for maximum depth of field.
Here's a "classic" nudibranch composition - get down low, shoot the nudibranch at an angle, get the rhinophores in focus. Photo by Kevin Lee.
Getting low can be difficult, but it pays off. You usually have to find a nudibranch that's on a little hill, like this one, and then lay right on the ground. F18, 1/125th, 105mm lens.
Best dive sites for Nudibranchs
"Nudibranch hot spots"
Here are some excellent dive locations for sea slugs and nudibranchs.
Anilao, Philippines - Nudibranch capital of the world
Puerto Galera and Dumaguete, Philippines also are good for sea slugs
Lembeh straits, Sulawesi - you'll find an excellent assortment of sea slugs here
Bali, Indonesia - especially Jepun, Biaha, Seraya
Loloata Island, Papau New Guinea
Gulen, Norway (2 hours north of Bergen)
La Bufadora, Mexico
Puerto Vallarta, Mexico
Any of the muck diving locations in Asia will be excellent for nudibranchs
Nelson Bay, Australia - just north of Sydney (see all the species here)
Byron Bay, Australia, near Julian Rocks (just south of Brisbane)
Old woman island, 100km north of Brisbane. Garry Cobb does lots of branching here
Nha Trang, Vietnam
Contact me if you know of other nudibranch "hot spots."
Nudibranch photography tips
Get low, get the rhinophores in focus. If the gills have retracted, be patient and wait until the gills come out.
Get close and try to fill the frame.
Understand how your aperture controls your depth of field.
Think about the kind of background you want - black background, background sharply in focus, or a background nicely blurred. All choices can make great underwater photographs.
Use your histogram to avoid blowing out colors and highlights. View your histogram as a 3 color histogram if possible.
To identify a nudibranch, try to get the gills, rhinophores, oral tentacles, etc. in sharp detail - see the anatomy section below.
If your camera allows you to move your focus points, choose spot-focus, compose your photo, and move the focus point until it lies over the rhinophores of the nudibranch.
Read about supermacro underwater photography, to photograph very small nudibranchs.
Please don't harm a sea slug just so you can get a better photograph, or move them from their environment. Sea slugs feed on very specific food sources.
Compact camera users - read the lens selection section below, to understand how zooming in and zooming out affects your composition and background.
Also read our article 'Essential Tips for Nudibranch Photography'
Janolus nudibranch with a black background, Catalina island, California. 60mm lens, F18, ISO 250, 1/250th
Nudibranch Anatomy & Taxonomy
Nudibranchs are animals in the phylum Mollusca, class Gastropoda - which means, like snails, they are Molluscs and Gastropods. Technically, Nudibranchs are a sub-set of animals called Opisthobranchs (sometimes call Sea slugs). Which means all nudibranchs are sea slugs, but not all sea slugs are nudibranchs. Got it?
Most, but not all, Nudibranchs can be classified as Aeolids or Dorids.
Dorids have 2 rhinophores and plume-like gills. The gills are also known as a branchial plume.
The 2 rhinophores of this white Dorid nudibranch are on the left, sticking up like antennae. The gills are on the right, and will retract if the animal is startled. The skin covering the top of the dorid is called the mantle, which is this case is covered with small bumps.
Aeolids have oral tentacles, rhinophores and cerata. Some Aeolids can store nematocysts in their cerata, after they eat a Cnidarian such as a hydroid or anemone.
In this Aeolid, you can see the two large oral tentacles in the front, and the two smaller rhinophores sticking straight up on top of the head. The brown cerata cover the rest of the body, flowing backwards in this photo. Some nudibranchs can lose their cerata when harassed.
Nudibranch Natural History
Most nudibranchs feed on only a particular hydroid, anemone, sponge, bryozoan, or tunicate. Underwater photographers often find a nudibranch by locating it's food source. Some nudibranchs that eat hydroids or anemones can store the nematocysts of their prey, using it for defense later on. Nudibranchs generally crawl around looking for food, but some can be surprising mobile and launch themselves into the water column when their feel threatened.
Some nudibranchs, like some Phyllodesmium species, are solar-powered, getting energy from symbiotic zooxanthellae that they absorb, much like corals do.
Nudibranchs are hermaphrodites, willing to mate with any other member of it's species, usually. Nudibranchs almost always begin their life as free-swimming planktonic larvae, and their lifespan is between 2 months and 1 year for most species.
Lens selection for Nudibranch photography
Compact camera users - should zoom out to get the effect of the 60mm lens listed below. Zoom in all the way to get the affect of the 105mm lens. Wet lenses can give you additional macro capability for smaller nudibranchs.
60mm lens on a cropped sensor camera (90mm in 35mm equivalent) is good for photographing nudibranchs in their habitats, in-situ photographs. Auto-focus is fast, night photography is easy, and you can get close to the subject. Also good for low-visibility dives. If you are using a compact camera, simply zoom out all the way.
60mm lens + 1.4x teleconverter. Another excellent choice, especially if you think you might see very small nudibranchs. Slower auto-focus, but still useable on a night dive.
100mm or 105mm lens - great for isolating a nudibranch, filling the frame and blurring out the background. Also good for nudibranchs deep in reefs, cracks, crevices, etc - due to the increased working distance. Can be more difficult to use on night dives. If you are using a compact camera, zoom in all the way to isolate the nudibranch.
Fisheye lens - this can be used if you get very, very close to large nudibranchs, for unique photographs that capture expansive backgrounds in the photograph.
Dirona nudibranch photographed with my 60mm lens, F20.
Dendronotus albus nudibranch, Nikon 105mm lens, F16.
Chromodoris coi, Nikon 60mm + 1.4x teleconverter, F22.
Janolus nudibranch, head on composition. You need to get very low to get this composition, and align the nudibranch carefully. Using the 105mm lens helps to isolate the subject. Shot at F13, photo by Mike Bartick. Mike used a custom +10 diopter for this shot, and waited for the nudibranch to crawl towards him.
Advanced underwater composition (with some good ideas for Nudibranchs)
Other Marine Life Articles
Leafy sea dragon - expert in camouflage
Bobbit Worm - ambush predator
Frogfish - Camouflaged ambush predators
Black Sea Bass - Gentle giants of California
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