review of underwater strobes

Sea & Sea Optical YS Converter

Brent Durand
Overview & Benefits of Sea & Sea's New Built-in TTL Converter

 

Sea & Sea Optical YS Coverter


Overview & Benefits of Sea & Sea's New Built-in TTL Converter

By Brent Durand

 

 

 
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Sea & Sea has a new Optical YS Converter available for their latest housings, including the MDX-70D and MDX-D7100.  It’s a great option that many divers will want to add on to their system, but what is it?  What is TTL and what does this new converter do?

There are two ways to shoot with strobes: manual power adjustments or TTL (auto) power. Some photographers shoot manual all the time, some shoot TTL all the time and some shoot TTL in some situations and manual in others. Below we discuss the benefits of Sea & Sea’s Optical YS Converter and what they mean.

 

Key Benefits

 

Optical – No Need for Sync Cords

Sea & Sea’s Optical YS Converter converts the electronic TTL signal into a light signal. This is good for two reasons. First, photographers can use fiber optic cables instead of sync cords. These are smaller, more reliable, cheaper, easier to maintain and will not flood (sync cords can flood at strobe or housing bulkhead end and require daily o-ring maintenance).

The second benefit is that photographers can use fiber optic cables (light signal) without using the camera’s internal flash, since the Optical YS Converter converts the electronic signal into a light signal. Rapid firing of strobes with fiber optic cables was previously limited to the recycle time of the camera’s built-in flash, but this is no longer an issue. It was one of the key benefits to using sync cords over fiber optic cables, so I predict sync cords to disappear once all housing manufacturers start using optical converters. Divers also save camera battery life by not using the camera’s built-in flash.

Left: 2x Sea & Sea Fiber Optic Cable II.
Right: Dual sync cord (Nikonos to Sea & Sea)

 

Change from TTL to Manual During the Dive

Another major feature of Sea & Sea’s Optical YS Converter is the ability to switch between TTL and Manual power with the press of a button. Divers must no longer commit to TTL or manual before the dive, instead choosing their strobe power mode depending on the current situation.

 

Switching from manual to TTL is easy mid-dive.

 

Blue LED means TTL is active.

Green LED means TTL is not active.
 

 

It’s Internal

No more bulky TTL converter dangling outside the housing. The Optical YS Converter is built into the housing, eliminating a strobe bulkhead and chances of it flooding.

 

Simply plug the fiber optic II cables into the ports - nothing is outside the housing!

 

Other Key Features

  • Fine-tune strobe power via EV controller on back of YS-D1, YS-01 or YS-110a strobe
  • Battery level indicator
  • Blue LED light indicates TTL mode is active. Green LED light indicates manual strobe power
  • Auto power off and easy re-activation to save battery life

 

Specs

  • Power:  2x AAA batteries (alkaline = 15hrs / Ni-MH = 12 hours)
  • Weight:  154g / 5.4oz
  • Housing Availability:  MDX-70D, MDX-D7100

 

Installation

The Sea & Sea Optical YS Converter is an optional (although highly recommended) accessory. If purchasing with a new housing, the team at Bluewater Photo can easily install it. For those adding it to their housing, installation is user-friendly, with two screws to attach the converter to the inside top of the housing.

 

Conclusion

So do you need the Optical YS Converter?  Different divers will have differing opinions, but with the accuracy of the converter and Sea & Sea’s new Fiber Optic Cable II, you’ll be kicking yourself for missing a shot you could have saved with TTL.

A great example is a light-colored school of fish that swam quickly by much closer than expected, blown out by your default “swim-around” strobe power settings. An optical TTL converter is certainly on my list to start saving for!

 

 

This review made possible with the support of LensProToGo.com

 

 

About the Author

Brent Durand is an avid California beach diver, photographer and writer dedicated to capturing unique underwater, ocean lifestyle and adventure images. Brent is editor-in-chief of the Underwater Photography Guide. Make sure to follow UWPG on Facebook for updates on everything underwater-photography.

 

 

Further Reading

 


Where to Buy

Please support the Underwater Photography Guide by purchasing your underwater photography gear through our sister site, Bluewater Photo & Video. Click, or call them at (310) 633-5052 for expert advice!


 

 
 
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Clamping Power! Beneath the Surface Arms & Clamps

Todd Winner
Review: Easy Strobe Positioning and Safe Transport with BTS

Clamping Power! Beneath the Surface Arms & Clamps


Review: Easy Strobe Positioning and Safe Transport with Beneath the Surface

By Todd Winner

 

Beneath the Surface Arms & Clamps

 

 
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To be honest, I've never really given my strobe arms and clamps that much thought. Most of the designs out there look similar and I assumed they all performed about the same as well. My only real complaint is that most of them will not hold my heavy strobes in place when I hand my rig up to the boat. I am currently using Ikelite 160 strobes and before that, Ikelite 200 strobes, neither of which you could classify as "small." No matter how hard I would clamp down on the arms, they still had a tendency to flop around whenever I handled my camera out of the water. I was telling my sad story to the guys at Beneath the Surface and they suggested I give their arms and clamps a try on my most recent trip to Palau.

 

Clamps

The first thing I noticed when the package arrived was the anodized blue handles on the clamps. They just looked cool! The second thing was the build quality. These clamps are manufactured extremely well. All Beneath the Surface products are backed by a limited lifetime warrantee and made in the USA. When I put the whole system together they did indeed have clamping power. Even on the hike to Jellyfish Lake I didn't need to clip my strobe arms together to keep them from flopping around. Underwater, the clamps performed equally well. With only a slight amount of pressure, they had enough holding power to keep my strobes in place but were loose enough that I could easily reposition my strobes without adjusting the tension on the clamps. The clamps also feature a beveled edge to allow more sideways movement.

 

Palau

 

Arms

Today many manufacturers are building increasingly bigger buoyancy arms, but Beneath the Surface has gone in the complete opposite direction. What they lack in floatation, they make up for in a small, sleek design. The arms are made from 304 stainless steel tubing and the balls are machined from 6061 aluminum. They are then hard anodized and topped with an EPDM o-ring. The minimalist approach is also a blessing when it comes to packing your rig, taking up almost no room in your camera case. I hadn’t been using much floatation on my system so I hardly noticed the difference with other arms. I also like the small size and the option to fold up the arms as close as possible. For those that must use floatation, Beneath the Surface is currently designing a buoyancy float for their arms that should be available in the very near future.

After 10 days of constant use and some intentional abuse just to see if I could make them fail, the arms and clamps look as good as new. Even with the extreme over-tightening that I put them through, I only see some light wear to the finish.

Beneath the Surface produces a number of other products including flex arms, pivot trays and bridge bars. To see more of their innovative products, check out their website at www.beneaththesurface1.com.

 

Palau

 

 

About the Author

Todd Winner is a professional underwater photographer and cinematographer, PADI scuba instructor and owner of Winner Productions, a boutique post production facility catering to Hollywood's most elite cinematographers. Since taking up underwater photography in 1990, Todd Winner has won over 60 international underwater photo competitions. His images have been published in numerous magazines and online publications. His work has been featured in commercial advertising, museums and private galleries.  To see more of Todd's work or join him on an underwater workshop, please visit www.toddwinner.com.

 

Further Reading

 


Where to Buy

Please support the Underwater Photography Guide by purchasing your underwater photography gear through our sister site, Bluewater Photo & Video. Click, or call them at (310) 633-5052 for expert advice!


 

 
 
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Sea & Sea YS-D1 Strobe Review

Scott Gietler
Review of the YS-D1 strobe, and comparison to YS-110a and Inon Z240.

Sea & Sea YS-D1 Strobe Review

By Scott Gietler

 

 
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The Sea & Sea YS-D1 strobe, which became available April 2012, is Sea & Sea's first new strobe since the YS-01 was announced in December 2009. It replaces the YS-110a, which made its debut in 2008.
 

Special sale, $70 off the YS-D1, 1 week only starting Nov 22nd 2014, full details here.

 
 
I was able to take the strobe to Catalina Island in Southern California this past weekend on a Bluewater Photo charter, and I tested it out with various setups including a Nikon D7000, Canon compacts, the Olympus XZ-1 and others. We also had some other strobes with us including the YS-110a and the Inon Z240. Let's see how it performed!
 
 
Sea & Sea YS-D1 strobe reivew
The YS-110a, YS-D1, and Inon Z240
 
 
YS-D1 strobe back
YS-D1 strobe back. The right dial controls strobe power in manual mode, and exposure compensation in optical TTL mode.
 

 

YS-D1 strobe key features

More power than the YS-110a or Inon Z240

It was important for me to compare apples-to-apples, so I did my comparison tests with the 100 degree diffuser on the YS-D1 strobe, the 0.5 stop diffuser on the Z240, and the standard diffuser on the YS-110. I think this is how most people will use these strobes, and it is probably the fairest comparison.

If a strobe is a "stop" stronger than another strobe, it means it puts out twice as much light. So if you can shoot a subject at F11 with one strobe, you can shoot the subject at F16 with a strobe that is 1 stop stronger.

Tests showed the YS-D1 about +2/3 to +1 stop stronger than the Inon Z240, and +1 1/3 to +1 2/3 stops stronger than the YS-110a.

During my macro test shots the YS-D1 proved to be an additional +1/3 stop over my tested wide-angle shots. This gives the macro user the added benefit of "powering the strobe down" even further, offering softer light, for those f22 macro situations.

This is a nice boost of power, and it will really help when shooting into the sun, and with wide-angle shots where you can't get as close as you want, or really need to shoot at a small aperture. For even more power, you can remove the 100 degree diffuser from the YS-D1 and get another +2/3 of a stop of power. Read more about strobes and diffusers.

Sea & Sea YS-D1 underwater wide-angle photography
Taken at F16, ISO 100. I could easily shoot at F16 without getting too close to the subject, which was really nice. I'm sure that F22 would have been no problem, which will make shooting bright backgrounds, especially sunballs, easier to control. I hope the viz is better next time so I can try some sunball shots.

 

underwater photo with YS-D1 strobe ttl mode

Bristle worm in Anilao, taken with the YS-D1 strobe with a Nikon D7000, TTL mode.

 

Sea & Sea YS-D1 strobe wide-angle photos
Sea & Sea YS-D1 strobe in use in Anilao. F22, 1/250th, ISO 100.

 


Trumpetfish from the UWPG Anilao 2012 workshop.

 

underwater photo with Sea & Sea YS-D1 strobe
Taken with dual YS-D1 strobes.

 


YS-D1 strobe, taken at F22

 


YS-110a strobe, taken a.t F13, same distance as above photo. -1 2/3rds stop difference

 


YS-D1 strobe, taken at F22

 


Inon Z240 strobe, taken at F16 at the same distance as the above photo, showing a -1 stop difference

 


YS-D1 strobe, taken at F18

 


Inon Z240, taken at F14, same distance as the above photo, showing a -2/3rds stop difference

Sea & Sea YS-D1 strobe review for underwater photography
YS-D1 strobe, Tokina 10-17mm lens at 12mm, F22

 

Sea & Sea YS-D1 strobe review for underwater photography
Inon Z240 strobe, Tokina 10-17mm lens at 12mm, F18. The YS-D1 was +2/3 of a stop stronger overall.

 

Sea & Sea YS-D1 strobe review for underwater photography
YS-110a strobe, Tokina 10-17mm lens at 12mm, F14. The YS-D1 was +1 1/3 stop stronger overall.

 

TTL Exposure compensation

The strobe allows you adjust exposure when shooting in optical TTL mode. You can increase exposure by +1.5 stops, or decrease it by -1.5 stops. This is a really nice feature, and in my tests with a Nikon D7000, it worked very well. Note that results may vary slightly depending on the subject, the metering mode your camera is in, and the camera used. Read more about optical TTL.

 

Recycle rate - fairly quick

On full power, the strobe recycles in 1.9 seconds, just about the same as the YS-110a or Inon Z240 on full power. However, when the strobe is turned down half a stop, it recycles in about a second, and when turned down 1 stop, it is less than a second. This means, when shooting at the same power that your old strobe did on full power, you'll notice a much quicker recycle time.

Note that when using optical TTL, you may be limited by the flash recycle time on your camera, or by a limitation on the number of sequential flashes your camera can make. Of course the best way to really utilize the fast recycle time of this strobe is to use an electronic sync cord.

 

Reduced size & weight

The YS-D1 is slightly smaller and weighs slightly less than the Ys-110a, and it is slightly shorter than the YS-110a. It weighed about the same as my Inon Z240, and is about the same size, although the dimensions of the YS-D1 and Z240 are quite different, the Z240 is more fat and stubby.

 

TTL works with the Nikon D7000, other compacts

The optical TTL functionality worked well with my Nikon D7000. Exposures were spot on.

I also tested the optical TTL with other compacts, it seemed to work well although results were spotty with the Olympus XZ-1, it worked well on land but underwater it has some issues - I think the variable pre-flashes of the XZ-1 may occasionally confuse the YS-D1 - further testing will be needed.

 

Possibility of three different beam angles

The Sea & Sea YS-D1 comes with 2 different diffusers. I recommend people use the 100 degree diffuser for most of their shots. It will be wide enough for most wide-angle shots including shots with a fisheye lens, and it only reduces the power by -2/3rds of a stop. The stronger diffuser is a 120 degree angle diffuser.

 

Better controls, ergonomics and little extras

The dials are very nicely implemented - definitely the easiest dials to use out of any of the 3 strobes. Sea & Sea made a nice little "hatch" that opens up to expose the fiber optic connection point, a nice touch. I like how quickly I can open the battery compartment, just like with all the Sea & Sea strobes. Note - the YS-D1 takes 4 AA batteries, and uses the same o-ring as the YS-110a and YS-01 strobes.

Last, but not least, a ball adapter is included with the strobe, which can replace the YS mount and reduce the form factor of the strobe even further.

 

LED Target light

The built-in LED target light not that strong. It is certainly not even close to being a focus or video light. But it is nice to have as a back-up light.

 

Sea & Sea YS-D1 Review - conclusions

Overall - I give the strobe a big thumbs up. It was difficult to find anything about it that I didn't like. It is strong, small, easy to use with gloves, and has a great exposure compensation switch. I used the strobe in Anilao, Philippines for two weeks so look forward to some more photos and feedback. I lalso used the strobes for 10 days in Raja Ampat, here are my Raja Ampat photos with the strobe.

And at $699 retail in the USA, the price is great!

 

Sea & Sea YS-D1 - where to buy

Please support the Underwater Photography Guide by supporting our sister site, Bluewater Photo, who is usually well stocked up on the YS-D1 strobe.

 

Sea & Sea YS-D1 - official specs

[Guide Number (ISO 100/m) (land)] : 32, 24 (with Diffuser 100 attached), 20 (with Diffuser 120 attached)
[Beam Angle] : 80°x80°  (without diffuser), 100°x100°(diffuser 100), 120° x 120° (diffuser 120)
[Batteries] : 4xAA A: 6V Ni-MH: 4.8V
[Number of Flashes*1] : A: 150 Ni-MH: 250
[Recycle time (full)*2] : A: 2.8 sec. Ni-MH: 1.9 sec.
[Color temperature] : 5600K
[Color temperature w/diffuser] : 5250K
[Depth rating] : 100m  / 330ft
[Dimensions (WxHxD)] (Excluding protruding part(s) and the arm holder.): 87x135x111mm / 3.5 x 5.4 x 4.4 inches
[Weight] : 650g / 22.9oz (w/o batteries) * Attached a YS Mount
Strobe Adaptor and a fixing bolt to the Strobe.
[Underwater weight] :  0.5g / 0.02oz(w/ batteries)
[Others]
Exposure control: DS-TTL II,  Slave TTL, Light level control dial (GN): 1 / 1.4 / 2 / 2.8 /4 / 5.6 /8 / 11 / 16 / 22 / 32 (11 steps)
Pre-flash control: Equipped with pre-flash cancel mode
DS-TTL II function
Slave function
Auto power OFF function
Sync cord: 5-pin Sync cord/N, Fiber-Optic Cable (L-type)
Over-pressure relief valve
LED target light

 

What to do if you flood your strobe - find out in this vide

 

 

Further Reading

Best dive destinations for underwater photography

How to reduce backscatter in your underwater photos

How to remove backscatter in photoshop


Where to Buy - Support the Underwater Photography Guide

Bluewater photo has the YS-D1 strobe in stock!

Please support the Underwater Photography Guide by purchasing your underwater photography gear through our sister site, Bluewater Photo and Video. Click, or call them at (310) 633-5052 for expert advice!


 

Inon S2000 Strobe

Scott Gietler

Inon S2000 Review

Checking out the latest underwater strobe from Inon

By Scott Gietler

 

 
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The Inon S2000 is small, tiny. That was my first impression. I'm used to my large, well built Z240's, and the S2000 also had a cheaper feel. That is to be expected, as it is a less expensive strobe. This is a great strobe for underwater photography and comes highly recommended.

 

 

 

Inon s2000 strobe

 

 

Strobe Features

 

  • Optically fired, does not support firing by sync cable
  • Manual and S-TTL modes
  • No aiming/modeling light
  • Ability to fire without a fiber optic cable. This is a great feature. Underwater, the strobes can be placed away from the camera rig, allowing for creative side lighting and backlighting of subjects. The strobe will simply slave off another strobe or flash, as long as the receiver can "see" the flash.
  • Takes 4 AA batteries
  • Recycle time: I measured it at 2 seconds. 

 

Inon s2000 underwater strobe

The strobe is much smaller than my Z240.

 

Inon S2000 Strobe Power

 

For macro, this strobe was surprisingly strong, only 1/2 stop weaker than my Inon Z240 when it did not have a diffuser on. With the diffuser on, the S2000 strength was 1 1/2 stops below. The Inon diffuser says that it's only a 1/2 stop diffuser, so I am going to redo these tests again soon, along with testing wide-angle power and coverage.

 

Using the strobe in Manual Mode

 

When the Inon S2000 is used in manual mode (turn the left switch to "M"), the magnet switch is used to tell the strobe whether to ignore pre-flashes or not. Normally the magnet is not inserted into the hole, but when using Canon point and shoot cameras like the Canon S90, G10, or G11 on manual mode, you want to insert the magnet, and set the Canon flash power to it's lowest setting.  This is because Canon compact cameras do not preflash or support TTL when in manual mode.

 

Inon S-TTL 

 

I did several test shots with the S-TTL feature, and exposure seemed to be good. Fine adjustments to the S-TTL exposure can be made by turning the main dial to the left ("A") or right ("B") one click. The amazing thing about this strobe is that it doesn't need a fiber optic cable. As long as the little mirror-resembling receiver can "see" the flash from your internal flash or another strobe, it will fire.

 

The magnet switch is not used when using the strobe in S-TTL mode.

 

Further Reading

 

Underwater strobe positioning

Inon Z240 review

Diffusers, Frontlighting, Backlighting

Aperture, Shutter speed and ISO explained

 

 

 

Sea & Sea YS-110 Strobe Review

Scott Gietler

Review of the Sea & Sea YS-110 Strobe

By Scott Gietler

 

 
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sea & sea ys-110 strobe

 

Official YS-110 specifications:

 

Guide number in air:  22

Color temp: 5400K, 5100K with diffuser

Coverage: 105 degrees (with diffuser)

Recycle time: 3 seconds

Depth rating: 196ft (60 meters)

13 Manual settings

Fired by sync cable or fiber optic cable

Weight in water: slightly negative

 

The YS-110 is a solid, popular mid-range strobe used by high-end compact camera underwater photographers, and dSLR underwater photographers. I've used it extensively for macro and wide-angle and it works well and is reliable. It's fairly small, light, and slightly negative underwater which is very nice.

You should also consider reading our YS-D1 strobe review, which is a much more recent strobe.

 

YS-110 Pros

  • Reliable, readily available, good size and weight, good price point. Easily serviced or replaced around the world.
  • Good build quality, good angle of coverage
  • Uses 4 AA batteries. Batteries usually will last for 3 dives of heavy shooting.
  • Works great with my Sea & Sea TTL-converter III for nikon, for macro & close focus wide angle.
  • Good range of manual settings.
  • It has a high-intensity focus light

 

YS-110 Cons

  • The strobe could be a little stronger, and have a warmer color temp for wide-angle, but couldn't most strobes be stronger? 
  • Diffusers are a little too strong and easy to lose

YS-110 settings and configuration

 

Set the main dial to TTL when using a TTL converter

Manual 1 - used with fiber-optic cable and cameras with a pre-flash 

Manual 2  - used with fiber-optic cable and cameras without a pre-flash

Manual 1 or Manual 2 can be used when using a camera with a sync cord connection.

 

The slave button should be "off", unless you are using a fiber optic cable and slaving the strobe off a camera pre-flash.

 

The power setting dial should be fairly obvious how to use, "full" is full power and "min" is the minimum power setting.

 

Comparison between other strobes:

The Ikelite DS160 is more expensive, heavier, recycles faster, and is a warmer strobe.

Here I compare it with the Inon Z240 strobe.

 

Price

This strobe was replaced by the YS-110a, which recycles faster and has better support for compact cameras and optical TTL. Used YS-110's can go for $275-$430.

 

Further Reading

Underwater Strobe Guide

 

Inon Z240 Review

Scott Gietler

Inon Z240 Review

By Scott Gietler

 

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I own 2 Inon Z240's, and I love them. Here's some initial impressions:

 

 

Inon Z240 Pro's

 

  • Excellent build quality. perfect o-ring, nice yellow color so you can see dirt. Excellent battery compartment, this would be very difficult to flood. You can see the oring at all times (clear compartment).
  • Stronger than YS-90,Ys-110,Inon Z220. Some people say they are stronger than Ike-125s. Fast recycle time.  I measured the Inon Z240 as 1 stop faster than a Ys-110 or a Ys-110s, and 1 1/2 stops stronger if both had diffusers on
  • Very small, very lightweight.
  • Great angle of coverage.
  • Uses 4 AA batteries. Batteries usually will last for 3 dives of heavy shooting.
  • Type 3 strobe comes with a high-intensity focus/aiming light
  • Works great with my Sea & Sea TTL-converter III for nikon, for macro & close focus wide angle.
  • Has the famous "S-TTL" feature that implements TTL via a fiber optic connection, mimicing the camera's pre-flash. (Not applicable when using sync cords).
  • Has "pre-flash cancel" circuitry that helps reduce the strength of a camera's preflash, resulting in longer battery life for the camera, and shorter internal-flash recycle times. (Not applicable when using sync cords).
  • Diffusers screw in, making it very hard to lose them. I've lost a couple diffusers already from my Sea & Sea strobes. It also makes it easy to place colored gel filters behind the strobes.

 

Inon Z240 con's

 

  • Color temp of 5500K is good enough for wide-angle, but not ideal, some professionals prefer warmer strobes for wide-angle
  • More expensive strobes have more even coverage, even with a diffuser coverage is not perfectly even when shooting very wide-angle (e.g. - with a 10mm fisheye lens), there is light falloff at the edges of coverage.
  • Inon Z240 type 3 strobes recommend using low-discharge rechargables such as Sayno Eneloops. This really isn't a big deal, Eneloops are great batteries, inexpensive, can be recharged in any regular charger, and don't lose their charge over time.
  • For a point and shoot camera, an Inon D2000 or S2000 will also work fine.

Example photos:

 

There's some example photos from the Phillipines taken with these strobes here.

 

Here's a recent cuttlefish photo taken with these strobes:

cuttlefish underwater photo, taken with inon z240s, bali

cuttlefish, bali with inon z240 strobes

 

Inon Z240 Settings & configuration

 

The Inon Z240 manual is famous for being hard to understand. Here's the Inon Z240 configuration & settings I use with my Sea & Sea D300 housing and Sea & Sea TTL converter. Note - when used with a TTL converter, the lower right button must be down, not up.

 

  • For normal TTL - put the left dial = S-TTL , right dial = (doesn't matter)
  • For FullPower - Simply turn your S&S TTL converter dial all the way to the left for manual, and just leave the left dial on S-TTL (nice feature), or you turn the left dial to FULL
  • Manual Power - Set TTL converter dial to manual, turn left dial to M, adjust right dial as needed. Also use the manual power setting for a direct sync cable connection to a dSLR. Note - the "full" setting is 1/2 stop stronger than the strongest manual setting of 11.

Inon Z240 Dial Settings with a fiber optic cable

  • The Inon Z240 strobe can be triggered by a camera's internal flash.
  • S-TTL - use this setting for TTL with your Inon strobe. The strobe will mimic the pre-flash. The right dial should be at the 12'oclock position. Turn the right dial to the left or right one click for some amount of exposure compensation.
  • Low - The same as S-TTL, but with less of a chance of over exposing the subject.
  • Manual - for manual power settings (but will not do a full dump)
  • Full - for a full dump (maximum power) of the strobe

 

Inon Z240 Type 1,2,3,4 differences

 

  • Inon Z220 - Z240 predecessor - great strobe, but not as strong as the Z240
  • Inon Z240 Type 1 - Original Z240 strobe
  • Inon Z240 Type 2 - Added compatibility with Nikon D80/D200 (and future models) when used with fiber optics, because of the increased number of pre-flashes with these cameras.
  • Inon Z240 Type 3 - Has a stronger modeling/spotting / aiming light, the bulb changed to an LED. Recommends low-discharge batteries such as the Sanyo Eneloop or Powerbase instant, to prevent overheating, especially when the modeling light is on.
  • Inon Z240 Type 4 - Can be fired optically without a fiber optic cable. The TTL flash sensor is many times more sensitive than the previous types. Also, it is safer to use regular AA rechargables.

These differences are the same for the Inon D2000 strobe.

 

Inon Z240 Issues to be aware of

 

Manual mode will not fill on full power, it's a half-stop below full power. Only the "full" setting will do a full dump.

Don't make the mistake of ordering the strobes witout h the proper adapter (e.g. - Ultralight AD-IN) to connect to your arm/clamps, they are around $27 each.

Be very careful not to loose the metal screw that closes the battery compartment, it's easy to drop.

 

 

Sync Cable for the Z240

 

The Inon strobes take a nikonos 5-pin cable, just like Sea & Sea strobes, but different than Ikelite strobes.

 

Official Inon Z240 Specs

 

  • 5500K color temp. My macro shots with the 0.5 diffuser are usually properly white balanced at 5100-5200K in the adobe raw editor.
  • Guide number of 24 on land
  • Angle of coverage 100 degrees, 110 with diffuser
  • Recycle time 1.6 seconds on a full dump, much faster otherwise
  • Flashes per charge - 240
  • Size - 4.8 x 3.94 x 3.9 in (122 x 100 x 99 mm)
  • Weight - 20.5 ounces (580g) on land, almost neutral underwater
  • Able to be fired with sync cords or fiber optic cable.
  • Takes 4 AA batteries.

 

My own measurements

  • 26.75 ounces (758 grams) with batteries, sync cord, & 0.5 diffuser attached
  • 22.5 ounces (638 grams) without batteries
  • 21.25 ounces (602 grams) without batteries or attached sync cord

 

Comparison with other strobes

The brand new YS-D1 strobes compete with the Z240's - read my YS-D1 strobe review

Ikelite DS-160 substrobes are about the same strength, are larger and heavier but have a cooler temperature which can be more desired for people shooting wide-angle underwater photography.

 

Recommendation and Price

  • Highly recommended, great choice for a strobe that can be used for macro and wide angle, for compacts and dSLR users. If you are compact user just doing macro/fish photos, you may not need this expensive of a strobe.
  • The price can vary depending on country, $750 in the USA as of April 2009.

Further Reading

 

reef shot in Anilao, phillipines with Inon Z240 strobes

Reef shot from Anilao, phillipines with Inon Z240 strobes

 

 

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