Review of cameras

Sea & Sea DX-2G Macro & Wide Angle options

Sea & Sea DX-2G Underwater Camera Review

Macro & Wide-Angle capability

 

The Sea & Sea DX 2G has a wider lens (24mm) than most other advanced compact cameras on the market and with the available Sea & Sea bayonet mount wide angle (19mm) conversion wet lens you have the ability to get very capture larger subjects at closer distance allowing for better color and detail and scenic reef and wreck photographs. If wide angle is important to you the DX 2G gives you fantastic wide angle capability, other comparable camera systems can only offer 24mm even with the addition of accessory lenses.

 

Wide Angle Third Party Options

The best option that I have found so far to increase the wide angle ability (the camera lens WA is 24mm) for the DX 2G to a super wide 16mm is the addition of the FIX UWL-04 Fisheye lens. The only way to use other manufacture's lenses is to make an adapter because the DX 2G housing have a priority bayonet system designed to fit their products. When using the FIX UWL-04 I had to bump the cameras zoom 1x to get rid of the dark corners (vignetting) though but the results are still make a major difference over the Sea & Sea 19mm wide angle wet lens.

By using the adapter ring for the Sea & Sea 125 close-up lens with a 62mm-52mm step-down ring I was able to create lens custom adapter that allowed a Sea & Sea bayonet mount to be added to the FIX UWL-04 Fisheye wet lens. Because of the bayonet mount the lens is easily removed or added underwater as needed. A Sea & Sea lens caddy attached to the systems tray or arms keeps lens safe and out of the way when not attached to the housing.
 

sea sea dx-2g underwater camera with fisheye lens

Sea & Sea DX-2G with Fisheye lens attached

 

sea sea dx-2g underwater camera with fisheye lens

Sea & Sea DX-2G with no wet lens attached

 

sea sea dx-2g underwater camera with fisheye lens

Sea & Sea DX-2G with Sea & Sea wide-angle lens attached

 

sea sea dx-2g underwater camera with fisheye lens

Sea & Sea DX-2G with Fisheye lens attached - best option!

 

Sea & Sea DX-2G Macro capability

 

The Sea & Sea DX 2G has the ability to focus a 1cm (1/2”) to capture small subjects making this a great camera for macro and super macro photography, with the optional Sea & Sea 125 coated glass multi element close up lens you have the ability to capture the really small opportunities at almost a 2:1 magnification or to really focus in close on a subject to isolate it from a background. The 125 close up lens requires a ring adapter that cost extra to mount to the front of the DX 2G housing.

The focus distance is so small that you may need to back off of your subject and use the cameras zoom to give your self enough distance to position your strobes to light your subject. If using the cameras onboard flash Sea & Sea makes a macro diffuser that attaches to the front of the camera but you still need to allow enough space for lighting or you will get a shadow form the barrel of the lens.

 

sea sea dx-2g underwater camera with fisheye lens

Sea & Sea DX-2G at closest focus distance, zoomed out

 

sea sea dx-2g underwater camera with fisheye lens

Sea & Sea DX-2G macro, closest focus, zoomed in 2x

 

sea sea dx-2g underwater camera with fisheye lens

Sea & Sea DX-2G macro test, closest focus, zoomed in 4x. These tests results are great, much better close-focus capability when zoomed in than the Canon compacts - good when you need extra working distance.

 

Topside Photography

The actual camera that is used in the Sea & Sea DX 2G system is manufactured a Ricoh (GX 200). This is a fantastic and fun camera for topside photography when you find that you can’t be in the water. Ricoh has available add on lenses, a 19mm ultra wide conversion lens DW-6 and a 135mm telephoto conversion lens TC-1, you will need the HA-2 adapter to use either of these options.
 

DX 2G review intro

Main characteristics of the Sea & Sea DX 2G Underwater Camera

Some technical features on the sea & Sea DX 2G Underwater Camera

 

 

Sea & Sea DX 2G Technical specs

Sea & Sea DX-2G Underwater Camera Review

Some technical features

 

The Sea & Sea DX 2G shoots in RAW including 3:2 and 1:1 and RAW/JPEG bracketing and multiple JPEG modes, JPEG mode for those who want smaller files and have simpler post processing needs, RAW mode for those who want more control and prefer advanced options for post processing. The cameras RAW mode uses Adobe’s DNG standard format, which is nice - it means you don't need to wait until your RAW editor supports the Ricoh standard.

 

A closeup pof the DX 2G

A powerful but light weight camera

 

The Sea & Sea DX 2G review screen offers highlight warning feature that will blink in the overexposed areas giving the photographer a warning so corrections can be made and a live histogram display to help advanced photographers determine their correct exposure and make any adjustments. The histogram is simply a bar graph of the tones in the image and provides feedback to help you to make the exposure as bright as possible without loosing too much detail in the highlights.

 

Camera (Ricoh GX200)

 

  • 12.1 million effective pixels in a 1/1.7" primary color CCD
  • With the enlarge buffer you can capture 5 consecutive images with a 3 sec write time in RAW mode.
  • 1/2" close up photography possible without an accessory lens.
  • The Sea & Sea DX2G Underwater Digital Camera offers 24-72mm optical zoom
  • Sea & Sea white balance mode provides color correction when shooting available light
  • Built-in electronic level allows you to verify that the camera is level for landscape photography
  • Dual fiber-optic cable connector sockets
  • Comes with an LCD monitor hood to improve LCD
  • Shutter: 180-1/2000 sec
  • Aperture: F2.5 - F4.4
  • Exposure Modes: Auto shooting mode, Program shift mode, Aperture priority mode, Manual exposure mode
  • Zoom: 3x Optical Zoom Plus 4x Digital Zoom
  • Memory Card: SD and SDHC up to 16GB
  • Internal Memory: 54MB
  • Lithium-Ion rechargeable or 2x AAA Batteries
  • Dimensions: 4.5 x 2.3 x 1"
  • Weight: 7.3 oz
  • DX-2G Housing
  • [Construction]Polycarbonate
  • [Depth rating]55m / 180ft
  • [Dimensions (WxHxD)]158x109x109mm / 6.3x4.4x4.4inch
  • [Weight]Approx. 530g / 18.6oz (excluding hand strap)
  • [Underwater weight]Approx. -110g / -3.9oz
     

DX 2G review intro

Main characteristics of the Sea & Sea DX 2G Underwater Camera

Sea & Sea DX-2G Underwater Photos

 

DX 2G Main characteristics

 Sea & Sea DX-2G Underwater Camera Review

Who Would Buy This Camera?

The Sea & Sea DX 2G is an advanced compact point & shoot housing and camera system that is best suited for the earnest beginner who wants easy to use preset options but has the ability to learn and expand to more manual control. It is also good for the advanced user needing full creative control with easy to access manual controls.

 

Some details on the DX-2G

A close-up of the DX-2G, with a fisheye lens attached

 

So tell us about the camera inside the housing!

When you buy the Sea & Sea DX-2G, you are purchasing an underwater housing and a point and shoot camera together.

Ricoh GX200 inside

The DX-2G is actually a rebranded Ricoh GX200. The Ricoh GX200, which is quite a compact camera, features a 12.1mp high resolution sensor, a sharp F 2.5-F4.4 24mm-72mm lens with a 3X optical zoom, a 2.7” bright high resolution LCD screen, with 460,000 pixels. The sensor size is the same as the sensor in a Canon S90 or G11.

The camera offers a very little shutter lag, full manual control as well as program exposure modes. You have complete control of balancing the available light to strobe light, which is important in an underwater camera.

The GX200 replaces the Ricoh GX100, which was the Sea & Sea DX-1G underwater camera. The biggest change in the GX200 is a fast improvement in the raw write speed, and the LCD screen is also larger.

 

Main characteristics of the Sea & Sea DX 2G Underwater Camera

 

The Sea & Sea DX 2G housing is well made and laid out giving you easy access to all controls, it is rated to 180 feet and features a bayonet mounting system, two built in fiber optic mounts. The shutter is accessed by button/dial on the back top right side of the housing, if pressed this button give you access to 4 user pre-set settings (AF, AF/MF, WB, Exp Comp, Flash Comp, ect) including the ability to move the focus area to anywhere inside the frame.

 

Some Technical Details on the DX-2G

DX-2G 24-72mm optical zoom

 

The aperture is accessed by a button/dial on the front right side of the housing directly below the shutter release lever. There is a third button on the left top side the can be pre assigned for another function if wanted. I have this set for manual focus for use with macro. There is an accessory shoe located on the top of the housing that can be used for attaching a single strobe or focus light that is helpful for low light and macro focusing situations.

 

DX 2G review intro

 

 

Who would buy this camera

Sea & Sea DX-2G Underwater Camera Review

Who Would Buy This Camera?

The Sea & Sea DX 2G is an advanced compact point & shoot housing and camera system that is best suited for the earnest beginner wanting easy to use preset options but having the ability to learn and expand to more manual control to the advanced user needing full creative control with easy to access manual settings.

 

Some details on the DX-2G

A close-up of the DX-2G

 

The camera features a 12.1mp high resolution sensor, a sharp F 2.5-F4.4 24mm-72mm lens with a 3X optical zoom, a 2.7” bright high resolution LCD screen. The camera offers a very little shutter lag, full manual control as well as program exposure modes you have complete control of balancing the available light to strobe light.

 

DX 2G review intro

 

Sea & Sea DX-2G Camera Review

Shawn Rener

Sea & Sea DX-2G Underwater Camera Review

Sea & Sea DX 2G Underwater Camera and Housing Set, a great choice for beginner underwater photographers

Sea & Sea DX-2G review by Shawn Rener

 
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DX-2G Sea&Sea Camera

DX-2G Sea&Sea Camera

 

 

 DX-2G Sea&Sea Camera, rear view

Dx-2G Sea&Sea Camera, rear view

 

 

Intro & characteristics of the Sea & Sea DX 2G Underwater Camera

  • Who would buy this camera
  • What do buyers get when they purchase this camera

 

Some technical features on the sea & Sea DX 2G Underwater Camera

  • Technical Information
  • Type of files this camera supports

 

DX-2G Wide Angle & Macro capability

  •  Wide Angle wet lens options, test photos with different wet lenses
  • Macro magnification at different zoom levels

 

Sea & Sea DX 2G underwater photos

  • Some great images to show what this camera is capable of doing

 

Conclusions about the Sea & Sea DX 2G Underwater Camera

 

Support the UWPG and purchase this DX-2G at Bluewater Photo

 

Olympus E-PL1 Review

Scott Gietler

Olympus E-PL1 Review

An in-depth look at the new Olympus PEN E-PL1 micro-four thirds camera, for land and underwater photography

Olympus E-PL1 review by Scott Gietler

 
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Olympus E-PL1 First impressions

  • What's it like to use the PEN E-PL1 for the first time?

Why are people buying the E-PL1?

  • I surveyed some Oly E-PL1 owners to find out what they liked about the camera

Olympus E-PL1 Specifications

Olympus E-PL1 Pros and Cons, comparisons to compacts and dSLRs

  • A look at pros, cons, features auto-focus speeds and sensor sizes

Olympus E-PL1 Image tests

  • See images tests of high ISO, macro, diffraction and more

Conclusions for the Olympus E-PL1 for Land & Underwater photography

  • Is the Olympus E-PL1 camera the right choice for you? Is it good for land and underwater photography?

Olympus E-PL1 underwater photos

 Discuss this review

Olympus's E-PL1 marketing page

Intro to Mirrorless Cameras

 

To Purchase:

Olympus E-PL1 cameras and underwater housings by Olympus and 10BAR can be purchased at our new sister company, Bluewater Photo

 

Support the Underwater Photography Guide

Please support the Underwater Photography Guide by buying your cameras and lenses through our affiliates. It doesn't cost you anything more, and it helps us make this site better. Click on the affiliate banner below and make your purchase within 48 hours.

Camera Review: Canon 7D - First Impressions

Todd Winner
Todd tries out the Canon 7D and shares his thoughts

First Impressions Underwater with the Canon 7D

By Todd Winner, UWPG Techniques editor

 

 
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I recently had the opportunity to try out a Canon 7D in a Nauticam housing for a day of diving and underwater photography. Thanks to fellow Underwater Photography Guide contributor Bill Van Antwerp who generously loaned me his kit for the day. I've been a lifelong Nikon shooter but recently have been seriously considering switching to Canon for their video capabilities. Unfortunately, the current Nikon dSLR video capabilities - 720p at 24fps, is not what my clients require. Please do not consider this a proper review. I literally spent a few minutes with the setup on land before I went diving. I didn't even handle the camera outside of the housing until it was time to download images. The following is just my first experience with the Canon7D underwater.

 

 

canon 7d underwater photography

Metridium anemone. Canon 7D, Nauticam Housing, Tokina 10-17mm fisheye lens, dual Inon Z240 strobes. 1/30th, F/6.3 ISO 160

 

Canon 7D Nauticam Housing

 

I thought the camera and housing felt very well made. I didn't spend a lot of time with the camera out of the housing but it felt good in my hands. It's much smaller than the D2X I currently shoot with, but it still had enough mass and weight that I think it would feel good with a long lens on it. Inside the housing it functioned flawlessly. The Nauticam housing was easy to use and the gears and buttons were very responsive. I did find the aperture and shutter controls a little hard to get at with gloves, but I think this would not pose a problem if you were familiar with the housing. The only feature that I would have liked to see on the housing would be a window to view the info screen on the top of the camera. Not being familiar with the setup, I was trying to switch focus modes and having a hard time with it. There are probably redundant displays in the menu or viewfinder so having that window may be unnecessary. That being said I did think the auto focus was fast even with the dimly lit conditions that day.

 

canon 7d nauticam housing

Sea lion at the California Oil rigs. 1/100th, F/5.0 ISO 160

 

Switching to the video mode was extremely easy and the controls are really laid out well. I was quite happy with the image quality from the camera. The dynamic range is much better on the Canon 7D than the camera I have now. I only wish we had some sunshine that day to really test it out. I felt the raw files required very few adjustments from the default settings in lightroom. I did use the raw profiles for Canon on most of them.

 

I wasn't thrilled with the sharpness of the images but I don't think this is the fault of the camera. I was trying out a new port / extension ring combination and I don't think it was quite right for the lens. I also never got the focus mode dialed in so who knows what I was actually focusing on.

 

Overall I was very pleased with the set up and would recommend it highly especially if you don't already own thousands of dollars worth of Nikon lenses.

 
canon 7d underwater photography
1/50th, F/5.0, ISO 160
 

Canon 7D Quick Specifications

 
  • Replaces the Canon 50D, competes with the Nikon D300s
  • 18 MP APS–C CMOS Sensor
  • 1.6x crop factor
  • 8 frames per second image capture
  • 19 point auto-focus
  • Full HD Video
 canon 7d underwater photos

View of the oil rigs from below. ISO 160, 1/13 sec at f/4.5 Two Inon Z-240 strobes on low settings with diffusers

 

Where to Buy

Support the Underwater Photography Guide by purchasing your Nauticam 7D housing at our sister site, Bluewater Photo

 

Further Reading

 


Support the Underwater Photography Guide

Please support the Underwater Photography Guide by purchasing your underwater photography gear through our sister site, Bluewater Photo & Video. Click, or call them at (310) 633-5052 for expert advice!


 

Camera Selection Guide

Scott Gietler

Underwater Digital Cameras

Review of the best compact and dSLR cameras for underwater photography

By Scott Gietler

 

 

Quick Links

Best Compact Cameras for Underwater Photography

dSLR Cameras                       Underwater Housing Reviews

Forum for Camera Questions     Micro Four Thirds Cameras

 

 

Choosing the best underwater digital camera can be difficult, even with an underwater camera guide.

 

 
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The digital revolution opened up a brave new world for underwater photographers.  Underwater digital cameras allow us to immediately see the results of our photos, and share them with our friends when we get home. Very few users of film have tried an underwater digital camera and not switched.

 

 

Compacts vs. dSLR Cameras for Underwater Photography

 

Which type of underwater digital camera should you buy? There are compact cameras, mirrorless, and dSLRs. Read more about mirrorless cameras.

 

After shooting with a compact underwater camera, many people consider switching to a mirrorless or a dSLR. The obvious advantages are lens choices with superior optics and different focal lengths, better image quality from a larger sensor and reduced shutter lag and focus delays. These are huge advantages, and shooting with a dSLR is quite a joy. Very few people regret changing. However, a compact camera in the right hands can sometimes take shots that rival a dSLR shot, and the dSLR advantages of shutter lag and focus delay can be less important with non-moving subjects.

 

The largest difference between a compact camera, and a dSLR or mirrorless camera, is that a dSLR or mirrorless can take different lenses, while a compact camera has one attached lens. This is a very big difference that limits the flexibility of a compact camera, although wet lenses can help bridge this distance to some extent.

 

Let's look more advantages and disadvantages of a compact camera, when compared to a dSLR:

 

Compact underwater camera advantages:

  • Smaller size for travel
  • Less drag underwater
  • Ability to change lenses underwater (Wet lenses)
  • Much less cost (although the cost of a high-end housing, wet lenses, adapters, etc. can start to add up)
  • Less weight, easier to carry and beach dive with
  • Shoots video underwater, although the Nikon D90, Canon 5DMkII and others now do video
  • With wet lenses, you can shoot macro, Wide-angle, and video all in 1 dive
 

Compact underwater camera disadvantages:

  • Smaller sensor (more noise, smaller dynamic range, etc.)
  • Increased shutter delay and focus delay over a dSLR - this is the biggest complain of many people
  • Optics are a lesser quality
  • Less choices for good quality lenses
  • Only a couple models can shoot in raw and use a true fisheye lens
  • Very slow raw write speeds, if raw is offered - although this has improved in a couple recent models
  • Less battery life
  • Noisy at high ISO's, although high ISO has limited use underwater, so this is not a big factor.
  • Less control over depth of field. A larger-sensor dSLR will have a smaller depth of field at a large aperture, giving a blurred background that is difficult to accomplish with a compact camera.
 

For more information on how compacts differ from dSLR's underwater, and how to use your compact camera underwater, read about using compact cameras underwater

 

What to look for in a compact underwater digital camera:

 
  • Full manual mode available - I think this is fairly important
  • Good quality UW housing available
  • Close macro mode, although this is less important if you are going to use wet lenses
  • Ability to take wet lenses, macro & wide angle
  • Ability to take a fisheye lens. This can be important for people who want to shoot wide angle, because really great WA photos means getting really close, and the best way to do that is with the INON fisheye lens. Not many cameras, however, support full manual mode and accept a fisheye wet lens.
  • Low shutter lag
  • Long battery life
  • Ability to view histogram
  • Ability to manual white balance
  • Raw mode. This is only important if you plan on shooting in RAW, it's nice to have this, but not everyone will shoot in raw. And if you don't have the right settings and the right lens, then having RAW won't matter anyways.
  • Ability to fire strobes via sync cord. This is helpful because some otherwise you must use the camera's pop-up flash, which can be slow to recycle and use up battery time. However, sync cords can be a pain, so if you can find a fiber-optic solution that has decent battery life, and a decent recycle time on the internal flash, this is the way to go .
  • Good auto focus capability. Some cameras are very slow to focus in less than ideal conditions, which is what we often experience underwater. All compacts come up short in this category usually.
  • It should be easy to adjust the aperture and shutter speed UW. Some housings make it very difficult to use the full manual controls        

Is full manual mode important in a compact camera?

Anyone considering purchasing an external strobe at some point, should get a camera with full manual controls, imho.

Most of the time, but especially when using an external strobe, it is very helpful to have complete control over how much ambient light comes into the camera. Although exposure compensation can be used to accomplish this to a limited degree, setting the shutter speed and aperture yourself is the best way to control the ambient light.

 

Compact Digital Underwater Camera Choices

 

Top Recommendations for underwater use

 

What are the best point and shoot cameras for underwater photography?

 

A few of my top underwater camera recommendations are the Sony RX-100, Canon S100 or S110, Olympus XZ-1,   Canon G12 or Canon G15. The Canon S100 or Canon S110 are both excellent choice, similar to the S95 - although I like the Canon S95 because it doesn't vignette with a fisheye lens. FYI the Canon G12 and Sony RX-100 have both taken some of the best compact camera photos that I've ever seen. The new Canon G15 looks great, but the new Sony RX-100 sets a new standard for compact cameras with its large sensor, with amazing wet lens results.

Our partner Bluewater Photo lists the best compact underwater cameras for 2012.

If you need to look at older used setups, the Canon A570, Olympus 5050, Canon G9 and Olympus SP350 are all good choices - but recent models will perform much better.

If budget is a serious consideration, the Sealife DC1400 offers a good housing for the beginner underwater photographer, and to add a strobe is inexpensive.

 

All compacts involve tradeoffs. Here is a look at some choices, and their limitations.

If you just want to take snapshots underwater, well then there are dozens of cameras that will all produce similar results. Most of the Fuji, Canon or Olympus cameras will be excellent choices. The cameras I list below are the best ones I feel for underwater photography, especially if you ever want to grow past taking a few snapshots.

 

Notes on individual underwater compact cameras

 

Here's some quick notes on some camera models. If the camera you are looking at is not on this list, it is probably because I think there is a better option on this list. This is especially true of the dozen's of Canon models.

 

Fuji E900 - good choice; cons - strobe can't be fired by sync cable; a little slow between shots in raw mode; can't take a sync cord

 

Oly 8080 - good choice; raw, good battery life, TTL & sync cord connection avail with Ikelite housing. 3 seconds between shots. no fisheye capability, auto focus a little slow

 

Oly 5050/5060 - very old camera, but excellent optics and capabilities; some pros believe this was the best compact camera for UW photography ever made. I have to warn you though, it has a long focus/shutter delay compared to recent compacts; no fisheye capability, but takes a WA lens. The oly 5050 has a much better lens. The best photos I've ever seen from compacts are from an Oly 5050. The prints look spectacular.

 

Olympus SP350 – good choice - shoots raw, but very slow. long lag between shots. Must go through menu to switch to macro mode. short battery life. Good photo quality. takes fisheye and macro lenses

 

Olympus 1030 SW, 1030SW - no manual controls, no manual white balance, no raw. Internal flash can't be used in super macro mode. good points are that it's waterproof to 33ft. Not a great choice. Could be good for snorkeling, kayaking, etc. without a housing.

 

Olympus FE-360 - no manual controls or white balance, poor topside reviews, skip it!

 

Olympus SP590 - no housing available, too long of a zoom lens

Olympus XZ-1 - read our complete Olympux XZ-1 review. The camera is great, will RAW, full manual controls, HD video with auto-focus, and an excellent lens.

 

Fuji f30/f40, Fuji F50fd/f60 - good optics & video, great quality OEM housing from Fuji; downside - no raw or manual modes

Fuji F60 + ikelite housing - still waiting for more details on this setup. no raw mode

 

Fuji F200EXR - looks like a nice camera, no raw, but full manual controls (although only 2 aperture settings), and a good-quality fuji housing is available. A great point and shoot choice. Camera+ housing available for $440 (July 2009).

 

Sealife – often sold by dive shops, always sold as a camera/housing combination.

 

Sea &Sea DX-1G – I don't think the earlier or less expensive S&S compacts were very good, but many people now like the DX-1G. the DX-1G uses a Ricoh GX100 inside; low focus/shutter lag, raw mode, very close macro focus, full manual; wider than most compacts at 24mm; competitor to the Canon G9/G10; cons - fiber optic only, and it only takes S&S wet lenses. there is no fisheye option.

 

Sea &Sea DX-2G -  came out in April 2009. Similar to the DX-1G, uses a Ricoh GX200 inside. It is believed that the GX200 will not work inside the DX-1G housing. The time in between shots when shooting RAW has been improved great, and it has a larger LCD screen. Read our Sea & Sea DX-2G review

 

 

Three of the best choices out there might be the Canon S100, Canon S95 or the Canon G12. 

 

Canon A570

 

Great choice overall, at a great price point. The strobe can't be fired by sync cable; raw allowed by software update only; decent battery life. Takes a fisheye lens, and macro lenses.

 

The Canon A570 will do raw, with a software download called the “raw hack”. This software update has been used my many people successfully, does not cause problems, and adds many other useful features. See this site for more details.

 

http://scratchpad.wikia.com/wiki/CHDK

 

Image quality is excellent. The camera will work well with INON fisheye and macro lenses. full manual model is available.

 

Canon A620, Canon A710is, Canon A720

 

All are great little compact cameras, a couple years old but they take great photos, have full manual controls and great macro modes. They are great when combined with a wet wide-angle lens. Try to get the used camera + used housing at a bargain price. Almost as good as the Canon A570, but these won't take the Inon Fisheye lens

 

Canon SD990 / IXUS 980

 

I just found out about this camera in early 2009. It was released at the end of 2008. It's an ultra-compact, full manual controls,  14.7meg, and it takes an INON fisheye lens with the canon housing. Top-side reviews are great. There is no raw support or raw hack at this moment. Lens is 36-133mm. This camera might turn out to be a top underwater choice, but I have some more investigation to do. I've heard setting the aperture / shutter speed can be a little difficult. The image quality looks excellent based on the underwater images I've seen. My friend is producing some great wide-angle photos with the fisheye lens. $310 in the USA.

 

Canon S90 & S95 - Released in Aug 2009 & Sep 2010, these are great cameras for topside and underwater use. They are small, and have RAW, full manual controls, and a fast F2.0 lens. All housings will take add-on lenses. I tried this camera out topside recently, it was easy to use, photos looked great and I loved the large LCD. Has great potential. Housings are out from Canon, Ikelite, and Recsea. Read my writeup on the camera and the different Canon S90 underwater housings. The Canon S95 adds HD video to the Canon S90. The S95 is smaller than the Canon G12, has the same sensor, and has more wet lens options for wide-angle. But the G12 beats it in some areas.

Canon S100 - Very similar specs to the excellent Canon S95, has a slightly longer zoom range, which means you may have slightly better macro capability with a wet lens, and slightly more vignetting with wide-angle wet lenses. The Canon S110 is similar to the S100, but it adds wi-fi and takes away GPS.

Canon G9

Excellent macro and supermacro shots have been produced from the G9. Read my Canon G9 underwater housing reviews.

 

Canon G10 – shoots at 28mm; Canon, Ikelite, Patima and Fisheye (FIX) all make housings for the G10, some of which may support a WA lens. The fisheye housing is $999, at the high-end for a compact camera. Same TTL limitations as the Canon G9. The G10 is generally considered the best topside compact camera out there, but it has limitations underwater, depending on the housing. Read my Canon G10 underwater housing reviews.

 

Canon G11 / G12 - released in Aug 2009 & Jan 2011, and similar to Canon G10. 10 megapixel sensor means larger pixel size than the G10, which is probably a good thing. Housings are out  from Canon, Ikelite, Fisheye, and Recsea. The Canon G12 is very similar, and adds HD video and a control dial. The macro on the Canon G11 & G12 is superb. The G12 is a top of the line compact camera, and does everything a little bit better than all the other compacts, including the S95.

Canon G1X - released in March 2012. You can read the Canon G1X review, which talks about the less than ideal macro capability of the lens on this camera.

Canon G15 - promises faster focusing than the Canon G12, read our Canon G15 mini-review.

Canon SX1 IS - RAW, full manual, HD video but 28-560mm zoom range means wide-angle wet lenses won't work well.

 

Panasonic Lumix DMC-LX3 & LX5 – shoots Raw; widest compact at 24mm, has full manual controls. Considered a top-quality compact. $399 new. The housings are by 10bar or UK-Germany. Strobes can fire via sync cord or fiber optics. I've seen great wide-angle photos with the INON UWL-100 wet lens and the INON dome port (giving you a 130 degree field of view), in the 10-bar housing. Also with the INON macro lenses. This camera has great potential, and Edvin Eng is producing some great photography with this setup. See my Panasonic Lumix LX3 10bar underwater housing review.

 

Nikon P6000 – shoots raw, manual controls, TTL with Ikelite housing.. not rated as good as a Canon or the LX3 though. The consensus is get a Canon g9 or g10 instead.

 

Nikon Coolpix L18 - poor choice, no close focusing, poor shutter lag, no manual controls or white balance

Nikon Coolpix L20 - similar to the L18 above, closer macro focusing but same cons, doesn't look like a good choice

 

Here is a good review comparing the canon g10, Nikon p6000, and Panasonic lumix lx3. It’s a topside review, but still useful I believe.

http://www.luminous-landscape.com/reviews/cameras/pocket-battleships.shtml

http://www.bythom.com/compactchallenge.htm

 

 

 
Camera
Price, mar 2009
Manual mode?
Housing manufacturers
Min focus distance
Focal length
Takes WA lens? (2)
Battery life (1)
Histo gram?
Man. White bal.?
Raw mode
Raw recycle speed
Has hot shoe?
Mega pixels
Approx. Sensor size
Image quality (1)
Notes
Oly 8080
200 on ebay
Yes
Oly, Ikelite
2 inches
28-140mm
No
3 dives
yes
yes
Yes
3-5 sec
Yes
8meg
8.8mm
Good
 
Oly 5050
233 on ebay
Yes
Oly, ike
1 inch
35-105mm
Yes, 128
Very good
yes
yes
yes
4-5 sec
yes
5meg
7.2mm
Excellent
Faster lens than 5060.
Oly 5060
200 ebay
Yes
Oly,ike
1 inch
27-110mm
Yes, 150
Very good
yes
yes
Yes
4-5 sec
Yes
5meg
7.2mm
 
 
Oly sp350
205 on ebay
Yes
Oly, ike
1 inch
28-105mm
Fisheye, 165
Good, 2-3 dives
yes
yes
Yes
slow
yes
8meg
7.6mm
Good
Can’t use flash with oly housing
Canon S80
185 on ebay
Yes
Canon, ike
1.6 inches
28-105mm
Yes
Ok 1-2 dives
Yes
yes
No
 
no
8meg
7.2mm
 
Manual settings can be difficult to use, they are in the menu
Canon S95
330
Yes
Canon, ike, RecSea
2 inches
28-105mm
Yes
Ok 1-2 dives
Yes
yes
Yes
 ??
no
10meg
7.6mm
 Very good
Good UW choice. F2.0 lens is nice
Canon S100
330
Yes
Canon, ike, RecSea
2 inches
24-120mm
Yes
Ok 1-2 dives
Yes
yes
Yes
 ??
no
12meg
7.6mm
 Very good
Good UW choice. F2.0 lens is nice
Canon a570
100 on PG
Yes
Canon
2 inches
35-140mm
Fisheye
 2 dives
Yes
Yes
With hack
 
No
7meg
5.8mm
 
 
Canon g9
300 used
Yes
Canon, ike, patima
½ inch
35-210mm
yes
 
yes
Yes
Yes
 
Yes
12meg
7.6mm
Very Good
No add-on lenses with canon housing (4),(6)
Canon g10
300 used
Yes
Canon, ike, patima, fisheye
½ inch
28-140mm
Read notes (3)
 Good
Yes
yes
Yes
 
Yes
14.7 meg
7.6mm
Very Good
See notes (5)
Canon G11
350
Yes
Canon, ike, recsea, fisheye
1/3 inch
28-140mm
Read notes (3)
Good
Yes
yes
Yes
 
Yes
10 meg
7.6mm
Very Good
See notes (5)
Canon G12
380
Yes
Canon, ike, recsea, fisheye
1/3 inch
28-140mm
Read notes (3)
Good
Yes
yes
Yes
 
Yes
10 meg
7.6mm
Very Good
See notes (5)
Fuji E900
200 PG
Yes
Fuji, ike
3 inches
32-128mm
Fisheye
 1-2 dives (10)
yes
yes
Yes
Slow
No
9 meg
7.6mm
Good
 
Fuji f30
 
A/P
Fuji, ike
2 inches
35-105mm
Fisheye
Good
no
yes
No
 
No
6 meg
7.6mm
Good
Good high ISO, very small
Fuji f60
200 google
A/P
Fuji, ike
3 inches
35-105mm
Fisheye
Good
 
 
No
 
No
12 meg
7.6mm
good
Good high ISO, very small
S&S DX-1G (8)
800 with housing
Yes
S&S
½ inch
24-72mm
Yes (11)
 2 dives
Yes
Yes
Yes
Slow
Not used in housing
10 meg
7.6mm
 
Noisy over ISO 100
S&S DX-2G (9)
1000 with  housing
Yes
S&S
½ inch
24-72mm
 Yes (11)
 2 dives
Yes
Yes
Yes
Good
Not used in housing
12 meg
7.6mm
 
Noisy over ISO 100; avail april 2009
Panasonic LX3
280
Yes
10bar, UK-germany
½ inch
24-60mm
Yes
 
yes
yes
Yes
 
yes
10 meg
8.8mm
 
 
Panasonic LX5
350
Yes
10bar, ikelite, nauticam
1/2 inch
24-90mm
Yes
 
Yes
yes
Yes
 
yes
10meg
8.8mm
 
 
Nikon P6000
600
Yes
Fantasea, ike, Fisheye (seatool)
1 inch
28-112mm
 
 
 
 
yes
 
yes
13 meg
7.4mm
 
 
 

Prices are approximate only, from march, 2009 looking on ebay, google stores, or pricegrabber. Prices are for a reference point only. Prices may be for a refurbished camera for an older model. Prices from “questionable” sellers were not included.

 

(1)     Very subjective answers based on speaking with people. Make sure you use highly rated 2700mAH rechargable double-A batteries like MAHA.

(2)     YES means it takes just a regular WA lens; Fisheye means it will also take an INON fisheye lens; maximum field of view is shown if known. You may need a wide-angle lens and a dome port to get maximum angle of coverage.

(3)     Adding a WA lens to the canon G10/G11/G12 can be a little difficult, because of the way the camera and housings are made. Check with your housing manufacturer to see what is supported at this time. . For $275, you can get an Ikelite or Fantasea dome port that gives you only 28mm of WA coverage. Recsea / Dyron also offers a seperate WA port and fisheye lens with port for a 130 degree view for more money.

(4)     Read this post for a possible add-on lens solution for the canon g9 housing. http://kona-scuba-diving.blogspot.com/2008/06/product-review-canon-g9-with-canon-wp.html

(5)     Ikelite and canon housings don’t allow  WA lenses at this time other than the dome mentioned in (3), check with your housing manufacturer to see if this changes. A dyron 67mm adapter can be added to add macro lenses

(6)     TTL with an ike housing doesn’t work in manual mode

(7)     Most compacts have problems focusing in low light

(8)     Ricoh GX100 inside

(9)     Ricoh GX200 inside

 (10)    Battery life is extended when using strobes like Inon that "quench" the internal flash of the E900 by emitiing a pre-flash

 (11)  The S&S wide angle lens increased field of view to 85 degrees underwater

 

Micro four thirds cameras

 

The Olympus E-PL2, E-Pl3 and Panasonic GF2 & GX1 are good choices for underwater photography.  They are a great choice in-between a compact and a dSLR. You can read more in our micro-four thirds and mirrorless camera guide.

The Olympus E-PL3, E-PL5 and E-PM1 are recent models, and have improved auto-focus speed over the E-PL1 and E-PL2. The Olympus OM-D E-M5 just came out and is considered the best micro-four thirds camera on the market. The Olympus E-PL5 has the same sensor and image processor as the OM-D, and is an excellent value.

 

Sony NEX cameras

The Sony NEX 5-N, 5-R, NEX 6 and NEX 7 are excellent mirrorless cameras, with great image quality, and unsurpassed video capability. The sensor size is the same as a Nikon D300 or Nikon D7000, and they have their own lens mount called Sony e-mount.

Image quality, dynamic range and focus speed is excellent. The only downside is a less limited lens selection than micro-four thirds cameras, and slightly slower focusing speed than a dSLR. But the cameras and housings are much smaller than a dSLR. The fisheye and macro lens options are good quality and very inexpensive, although a longer macro lens choice is lacking.

 
 

dSLR Underwater Camera Selection

 

There are a large number of dSLR camera bodies out there. The main 2 brands used in UW photography are Nikon & Canon. Whichever brand you choose, make sure you are happy with the lens selection that brand supports. Sony and Fuji also make great dSLRs, but those are not yet covered here.

 

A good lens, proper composition, and proper lighting are important for making great photos. The camera body is less important, and excellent shots can be made with Canon or Nikon bodies. Your photography is unlikely to improve dramatically just by switching camera bodies.

 

If you choose Canon or Nikon, you will also have to choose between cropped sensor or full frame sensor cameras.

 

Checking actuations

 

If your buying used, and your camera uses a mechanical shutter (e.g. - d80,d200) - check the number of actuations (shutter clicks) by getting a jpeg file from the camera and using an exif viewer. You can't check on the camera, so you'll need to bring your laptop and a card reader if you're meeting someone to buy a used camera. Look for "shutter count" or " camera actuations"

 

Camera bodies can be further researched here. I personally wouldn't get too hung up about small differences in sensor quality reviews.

 

Sensor quality reviews:

http://www.dxomark.com/index.php/eng/DxOMark-Sensor/Camera-rankings

 

General reviews on cameras can be found here:

http://www.dpreview.com/reviews

 

Here’s some information on various bodies:

 

Cropped sensor dLSR cameras:

 

Nikon D5000 - annouced on April 14th, 12megapixel, hi-def video, same sensor as the D90. It lacks an auto-focus motor. Too bad is doesn't autofocus with 3 of my 4 favorite lenses, just like the D60 and D40. Retail is $730.  I'd pass on it, and get a D80/D90 unless you are ok not using a fisheye lens underwater. The nikon 10.5mm and tokina 10-17mm fisheyes won't auto-focus with this camera. I tried out a Nikon d60 once and did not like it at all. If price is an issue go with a used D80/D200 instead.

Nikon D3000 - no auto-focus motor, I'd pass

Nikon D40 or Nikon D60 - No autofocus motor - please see comments on the Nikon D5000 above. very good image quality though. btw, The nikon d40, d40x and d60 can all work in the same housing.

Nikon D300 – Excellent camera and photos. But it’s hard to tell the difference between D80/D200 photos and D300 photos taken underwater. I upgrades to this from the D80 so my wildlife photography could benefit from 1 stop higher ISO.

Nikon D300s - same as D300 + video. Great housing from Sea & Sea.

Nikon D7000 - great choice, brand new with HD video that can auto-focus. Hybrid body between a D90 and D300s. Our top choice for a dSLR camera for underwater use.

Nikon D7100 - the new Nikon D7100 looks amazing - read our Nikon D7100 review. Housings will come out in Spring or Summer of 2013.

Nikon D90 – excellent choice. Sensor rating is even better than the D300. And it does video! Many people are able to use their D90 in a D80 housing, with some slight housing modifications. Nexus and Aquatica housings are popular, and here's a Nauticam D90 underwater housing review.

Nikon D80 – Great camera, great photos. Practically the same sensor as the D200, so you’ll get the same image quality. Get a used housing at a discount.

Nikon D200 – Great camera, great photos. Get a used housing at a discount.

Canon 40d/50d/60d – the Canon 50d fits into the canon 40d housings. A nice surprise for canon 40d owners! Both are excellent choices, especially the Canon 50D. Instead of the Canon 60D, I'd go with a Canon 7d.

Canon 7d - Great camera, top choice, great video, housing are out from Aquatica, Ikelite, Nauticam, Sea & Sea

Canon T2i, T3i - excellent entry-level dSLRs. Some of the aluminum housings are great values for these cameras. The T3i is very similar to the T2i, see the T3i release coverage for differences.

Olympus E520 – great value; good lens choices at a decent price; housing is a good value too.

Olympus E330 – It might be the only dSLR with useable Live view underwater; some users say the auto-focus is a little slow and has some low light issues

 

Full frame camera:

The new Nikon D800 is my top choice for the ultimate pro underwater photographer camera. The NIkon D4 is also great, but a little overkill for underwater photography.

Nikon D3 – Excellent camera, but Keep in mind people have been having problems getting the 14-24mm lens sharp behind a dome port. And there is no full-frame equivalent of the Tokina 10-17mm lens.

Canon 5d – wide-angle photos really pop on this camera. Great for topside landscape photos also.

Canon 5d Mark II – the specs on this camera look great, and the photos look excellent. I'd pair this camera with the excellent Canon 8-15mm fisheye lens.

Canon 5d Mark III - a new standard for Canon full frame cameras, with much improved auto-focus over the 5D Mark II.

 

Some personal suggestions:

 

All 3 manufacturers make excellent products; I'll hesitatingly make a few suggestions:

 

On a budget? Go for a Canon T3i, T4i or a Mirrorless camera

Into macro? Get a Nikon D7100 or NIkon D800 (although great macro shots can be taken with Canon or Oly)

My top choice for a dSLR? Get a NIkon D7100, Canon 7D, Canon 5D Mark III or Nikon D800

Looking for an entry-level dSLR? Try a Canon T3i or a Canon T4i.

Into wide-angle? Canon 5d mark III takes some excellent wide-angle shots (but so do the rest).

Really interested in live view underwater, or great image quality in a smaller package? Look into the Oly E-PL5 + Olympus housing, a Sony NEX-5R, NEX-6, NEX-7, or the Olympus OM-D E-M5. The NEX cameras take the best video.

Looking for the most compact setup with a larger setup? Look at a mirrorless camera setup.

What's the hottest bodies out there right now for underwater use? Look at the Nikon D7000 or a Canon 5D mark III, or a Nikon D800, or the Olympus OM-D.

 

Cropped-sensor vs Full-frame

 

Cropped sensor dSLR's are the most popular dSLR's underwater. So who shoots full frame? Generally people who already own a full-frame camera (for indoor sports, weddings, and landscape photography), and want to house it, or pros that have specific shots in mind with a wide-angle lens, often of sharks, dolphins or other pelagics. Professionals who have a requirement to print larger than 20x30 at 300DPI also must sometimes shoot full frame to get the required resolution.

 

Why did I get a D300 and a D7000? I shoot a lot of telephoto and wildlife topside, so the low-noise and fast frame rate of the D300 was perfect for my topside use. The increased dynamic range will help my WA shots “pop” like those Canon full-frame shots, and the Nikon 60mm and 105mm VR lens are excellent macro lens. But I must say, after shooting with a Nikon D800, having 36 megapixels is truly amazing - and you should definitely consider that camera if you can afford it.

 

Crop-sensors advantages

  • - Generally considered better for macro, especially for super-macro
  • - Approximately 60% more depth of field than a full-frame sensor, given an equivalent field of view
  • - Able to use the flexible Tokina 10-17mm fisheye lens to its full benefit
  • - For most people, cropped sensors are "good enough"
 
Full-frame advantages
  • -less noise in high ISO (limited use underwater, except in dark conditions shooting ambient light)
  • - some cameras have more megapixels for larger prints
  • - slightly better IQ and dynamic range for more "pop" in WA and pelagic photos
  • - the women go crazy over full-frame cameras
  • - better viewfinders
  • - potential for higher resolution if you really need it, especially with the Nikon d800
 
Full-frame cons
  • - Housings are generally more expensive, but not too much more now
  • - less depth of field at the same aperture and field of view. You need 1 1/2 stops smaller aperture for equivalent depth of field in a full-frame camera
  • - Technique, lenses and dome optics all must be top-notch to take advantage of any increase in resolution
  • - more difficult to get good corner sharpeness with rectilinear wide-angle lenses

 

Sync Speed and underwater photography

  • The faster the sync speed, the easier it will be to light up subjects with your strobe with the sun in the background. With a slower sync speed, you need a small aperture to properly expose the sun, and therefore even stronger strobes.
 

New or used camera?

 

Used cameras are fine; just make sure you check the shutter count. Mechanical shutters will eventually fail. The shutter count is also referred to as the number of actuations.

 

Some of the dSLR Camera Choices:

 
 
Crop factor
Megapixels
Year released
Sync speed
 Video?
 
 
Canon 20d
1.6
8
2004
1/250th
 
 
 
Canon 40d
1.6
10
2007
1/250th
 
 
 
Canon 50d
1.6
15
2008
1/250th
 
 
 
Canon 7d
1.6
18
2009
1/250th
 Yes
 
 
Canon 5d
1.0
13
2005
1/200th
 
 
 
Canon 5D Mark II
1.0
21
2009
1/200th
 Yes
 
 
Canon EOS 1D mark II
1.3
8
2004
1/250th
 
 
 
Canon EOS 1D mark III
1.3
10
2007
1/250th
 
 
 
Canon EOS 1Ds mark III
1.0
21
2007
1/250th
 
 
 
Canon rebel XTI (400D)
1.6
10
2006
1/200th
 
 
 
Canon rebel T1I (500D)
1.6
15
2009
1/200th
 Yes
 
 
Canon rebel T2I (550D)
1.6
18
2010
1/200th
 Yes
 
 
Canon rebel T3I (600D)
1.6
18
2011
1/200th
 Yes
 
 
Nikon d100
1.5
6
2002
1/180th
 
 
 
Nikon d200
1.5
10
2005
1/250th
 
 
 
Nikon d3
1
12
2007
1/250th
 
 
 
Nikon d300
1.5
12
2007
1/320th
 
 
 
Nikon d7000
1.5
16
2010
1/320th
Yes
 
 
Nikon d40
1.5
6
2006
1/500th
 
 
 
Nikon d60
1.5
10
2008
1/200th
 
 
 
Nikon d70S
1.5
6
2005
1/500th
 
 
 
Nikon d700
1.0
12
2008
1/250th
 
 
 
Nikon d80
1.5
10
2006
1/200th
 
 
 
Nikon D90
1.5
12
2008
1/200th
 Yes
 
 
Oly 330
2.0
8
2006
1/180th
 
 
 
Oly 410
2.0
10
2007
1/180th
 
 
 
Oly 520
2.0
10
2008
1/180th
 
 
 
Oly 620
2.0
12
2009
1/180th
 
 
 
Oly E3
2.0
10
2007
1/250th
 
 
 
 
 

Taking underwater video with a dSLR

The Nikon D90, D5000, D7000, D800, D4, Canon 7D, Canon T2i, Canon T3i, T4i, the Canon 5dII & 5dIII can shoot hi-def video, although you must manually focus, and there are other limitations. Although this feature is nowhere near ready to replace dedicated video cameras, this is great for capturing behavior and marine life videos that you couldn’t normally have taken, and works very well when shooting ultra-wide angle.

The Nikon D7000 can take HD video, and also auto-focus while taking video - but the autofocus does not work that well. The Canon T4i is promising improved auto-focus, but for the best video underwater you may want to look at a mirrorless camera like the Panasonic GH2, or the Sony NEX-7.

The Sony NEX cameras can autofocus during video much better than dSLRs can, and the video quality is excellent. Same with the Panasonic GH3. Most people who want to do serious underwater video will get a Panasonic GH3, Sony NEX-7, or a Canon 5D Mark III.

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Further Reading:

 

 

 

 

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